Created by Steven Bochco and one of television's most influential series, Hill Street Blues was not your father's cop show. The Emmy-winning pilot episode, "Hill Street Station," immediately established the series as less a police procedural than an up-close and personal "interface with the police experience." To establish gritty, documentary-like realism, the show featured sequences, such as the pre-credit roll call, that were filmed with a hand-held camera. There was chaotic, overlapping dialogue. There were sudden, shocking bursts of violence that claimed popular characters. Story lines were not wrapped up at the end of the hour, but instead, unfolded serially throughout the season. It's no wonder that Hill Street, while championed by most critics, was initially not embraced by viewers. It was, in the beginning, one of television's lowest rated shows, its case not helped by NBC's criminal practice of juggling it in its primetime schedule). But there is justice in Hollywood. Hill Street Blues won the Emmy for best drama in its first season. Also honored were several members of the ensemble, including Daniel J. Travanti as the compassionate and incorruptible Precinct Capt. Frank Furillo, Michael Conrad as the avuncular Sgt. Phil Esterhaus (whose cautionary, "Let's be careful out there," became the show's pop culture signature), and Barbara Babcock as the wildly sexual Grace Gardner, who rocks Esterhaus's world (particularly in the episode that earned her her statuette, "Fecund Hand Rose").(16)